By Christian Busquets
The first impression one gets to roam the streets of Santiago de Chile is the requirement to an orderly, modern city. 
Since the airport, a couple of miles from the city, this sense of a city "new" is manifested in its highways and subsequently, in streets and avenues.
Providence, one of the newest and most luxurious of this renewed Santiago, releases a scent of sophistication and craftsmanship, with narrow streets, wooded, quaint cafes and street lamps of iron-style restaurants and bars, places where peaceful rest and enjoy a beer or a good meal. Avenues, with its wide lanes, their mouths are underground tourists to any part of this huge metropolis mountainous, not clash with rides that are thrown diagonally across a block, with large glass roofs, or the shopping, so universal, that alternate with happily-class hotels and most bars and restaurants.
The first impression one gets to roam the streets of Santiago de Chile is the requirement to an orderly, modern city. 
Since the airport, a couple of miles from the city, this sense of a city "new" is manifested in its highways and subsequently, in streets and avenues.
Providence, one of the newest and most luxurious of this renewed Santiago, releases a scent of sophistication and craftsmanship, with narrow streets, wooded, quaint cafes and street lamps of iron-style restaurants and bars, places where peaceful rest and enjoy a beer or a good meal. Avenues, with its wide lanes, their mouths are underground tourists to any part of this huge metropolis mountainous, not clash with rides that are thrown diagonally across a block, with large glass roofs, or the shopping, so universal, that alternate with happily-class hotels and most bars and restaurants.
This first impression for tourists in Buenos Aires, it makes them cousins \u200b\u200ba lot with the feeling of walking through our Puerto Madero, sophisticated and new, with towers that blunt with his sight and get lost in a vaulted sky by smoke from hundreds vehicles. A taxi driver told me it formed, one in five Chileans, have their own vehicle, and urban chaos that is the same as in this, our beloved Queen River Plate.
That said, this tourist accidentally discovers Providence rhythmic breathing, relaxed, like a spoiled child in a city of millions. Right there is the Theatre of the East, where between 25 to April 28, 2009, was held the international seminar STORY Chile, taught by the renowned American writer Robert McKee ...
Yes, the one shown in the film by Spike Jonze, "Adaptation", played by Scottish actor Brian Cox.
this writer's expertise displayed in his book "Story" is the same as that unfolds on stage, the product of a studied, methodical performance, and it must be said, highly effective.
About 750 people accepted the invitation to this lecture, because not to deceive, McKee only reveals the same secrets that hold the book, neither more nor less, just that the presentation - the way - acting, emphasizing content beautifully. Indeed, McKee He knows his job, but above all, know the subject of the speaker and his speech is imbued with reflection and criticism. To a viewer, how to construct "stories" becomes an intense and motivating experience, and largely not only by content but also, inevitably, by the way this manipulator Word weaves his plot and involve participants.
This is how the ideas of this writer-turned-consultant script doctor and resonate within the East as cannon Theater:
are times where it has no sense of storytelling in pursuit of writing action sequences that only serve to deploy hundreds of visual tricks, but no narrative!
The writer is the only original author of a script! Work
extensive treatments to find the subtext of the plot and characters!
not think the scripts in relation to its durability but according to the story you want to say and write with this in mind! Raising
stories, screenplays, not 3 but 5, 7 acts!
All film story must be an emotional experience for the viewer!
The voice of this manipulator of words are confused with the lines of his book, and once again see the scene, shooting ideas, reviewing the topics archiconocidos for any writer or a professional writer, becomes an excuse for rethinking way of telling, an art that must be revitalized as McKee before it is extinguished.
Interesting. Motivator. An array of techniques and tools scriptural. An intense journey into the heart of the stories, to dissect and re-arm.
And last, indefatigable, a review, scene by scene, of a classic, "Casablanca." Something that reminds us, we, writers, writers, great, because this art to manipulate words, images and sounds to emulate, character puppets, should be an emotional experience. Christian
Busquier
Writer / Writer
That said, this tourist accidentally discovers Providence rhythmic breathing, relaxed, like a spoiled child in a city of millions. Right there is the Theatre of the East, where between 25 to April 28, 2009, was held the international seminar STORY Chile, taught by the renowned American writer Robert McKee ...
Yes, the one shown in the film by Spike Jonze, "Adaptation", played by Scottish actor Brian Cox.
this writer's expertise displayed in his book "Story" is the same as that unfolds on stage, the product of a studied, methodical performance, and it must be said, highly effective.
About 750 people accepted the invitation to this lecture, because not to deceive, McKee only reveals the same secrets that hold the book, neither more nor less, just that the presentation - the way - acting, emphasizing content beautifully. Indeed, McKee He knows his job, but above all, know the subject of the speaker and his speech is imbued with reflection and criticism. To a viewer, how to construct "stories" becomes an intense and motivating experience, and largely not only by content but also, inevitably, by the way this manipulator Word weaves his plot and involve participants.
This is how the ideas of this writer-turned-consultant script doctor and resonate within the East as cannon Theater:
are times where it has no sense of storytelling in pursuit of writing action sequences that only serve to deploy hundreds of visual tricks, but no narrative!
The writer is the only original author of a script! Work
extensive treatments to find the subtext of the plot and characters!
not think the scripts in relation to its durability but according to the story you want to say and write with this in mind! Raising
stories, screenplays, not 3 but 5, 7 acts!
All film story must be an emotional experience for the viewer!
The voice of this manipulator of words are confused with the lines of his book, and once again see the scene, shooting ideas, reviewing the topics archiconocidos for any writer or a professional writer, becomes an excuse for rethinking way of telling, an art that must be revitalized as McKee before it is extinguished.
Interesting. Motivator. An array of techniques and tools scriptural. An intense journey into the heart of the stories, to dissect and re-arm.
And last, indefatigable, a review, scene by scene, of a classic, "Casablanca." Something that reminds us, we, writers, writers, great, because this art to manipulate words, images and sounds to emulate, character puppets, should be an emotional experience. Christian
Busquier
Writer / Writer
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