We are with William, one of the shadows behind the scenes responsible for "The Internship", the English telenovela which now gives its sixth season, keep your invoice and quality. His presence triggered a lot of questions. We try to do them, not mislead, not to mention detail. William is just a few days in Buenos Aires and we must seize the time, not to interview him, but-almost-for questioning. Bill: Well, no big deal. Only in the last three years I am somewhat "responsible." I went into the production as a camera assistant, and from some defections, was replacing the directors.
BUREAU: How many? GUILLERMO
: three filmmakers work simultaneously. While one does the reading of the script and previous work, another is being recorded and another chapter in post-production stage.
BUREAU: How many? GUILLERMO
: three filmmakers work simultaneously. While one does the reading of the script and previous work, another is being recorded and another chapter in post-production stage.
BUREAU: "The Internship" is quality of film. What wheels? Bill: The recording of the chapter is done with four cameras in indoor and two outdoor locations. HDV recording format. We were one of the first to use in Spain.
BUREAU: Although the technique of simultaneous work on several episodes for years that is customary in the United States with chapters in twenty or forty minutes, in this case, more than an hour last ten. How do they manage to sync them all?
Bill: The special feature is that while we record on the second floor of Globomedia, producers are in the room through closed circuit television have the facilities, they can watch what we recorded and make corrections as they deem necessary.
BUREAU: It is a delicate note behind.
Bill: It is that, once the shooting, the director began to make the first version of the chapter led to a lower quality than that recorded (offline). From there he made a first pre-assembly, which is viewed with producers, making corrections. Once that chapter is adopted is exported to a cut list (EDL) with which it conducts a top quality mount (HDV). Then you go to the post-production sound and composed music to accompany the chapter. Finally, talonaje we make (it is a color correction) in the Da Vinci platform.
BUREAU: Despite not being part of the team from scratch, you must know how he did the project.
Bill: They told me. The creators are fans of "Lost" and when you see "The Internship", you realize that you always try-and fail-to maintain the mystery of several story lines simultaneously.
BUREAU: Laguna Negra seems too far from everything. Where are the locations?
Bill: The house is just one that is close to Madrid, which has never been filmed inside. The magic of cinema, they say. The sets are in Globomedia, and the forest park is Nebrija University. The stone wall surrounding the boarding school was built by the script demands. And reading what you wrote some time on the blog, I can tell you are right. There are an inspiration in contemporary English cinema as well, the stone arch at the entrance, the team called "Pan's Labyrinth."
BUREAU: In recent seasons has been a bus for ten minutes about the characters before the episode. We can think of some reasons for its usefulness. Can you explain yourself?
Bill: I get a shirt of eleven staff, but in the end, I confess I do not need as much as the initial racconto each episode, revivís where recent conflicts of the characters that have a greater role in it. But the producers see it as merchandising. Ten minutes before beginning "The Mysteries of internment." Is, start "something" of "The Internship" that fans will not want to miss although I know, just in case. Something like a puzzle, or a journalist. That earns ten minutes of screen where you can continue billing the second ad, even before starting.
BUREAU: We see that it is the only way to check it, in addition to traditional commercial breaks.
Bill: If you refer to the NTP, admittedly a little abuse. It is the mark of a good milk from time to time, but mail is too often for my taste. I do not know if I explain.
BUREAU: The crews of this type of product tend to be crowded, but the technicians leave their quarrels outside. With stakeholders is another thing. How are they? Are the egocentric?
Bill: For anything. The kids are exceptional. Respond to each of the script and direction indications. You always have to do retakes, of course. Luis Merlo But remember, the actor who plays Hector de la Vega, is the success of "There is no one alive," a television format that Argentina bought less fortunate. There, his character was gay, was completely incorporated into the English imaginary, producers wondered how would the public that face the new face of Hector. You have seen it. He is a man of great experience shooting gallery. Natalia Millan, the interpreter of Elsa, by contrast, is less relaxed. Excellent choice of casting. It almost plays itself. Is very strict. You need to have everything planned. Sometimes it repairs or corrections of things that do not like. But it is part of the thing. In short, short, not subtraction.
The meeting with Guillermo bounded leaves us little flavor. His return to Argentina is short. He has work to do in "The Internship". And this requires their presence for several days before starting shooting. Years ago he went to Spain in search of better opportunities. We hope that his country will recognize her talent and allows the future to develop their own projects, sure, are many. A hug to William, from the Bureau.
BUREAU: Although the technique of simultaneous work on several episodes for years that is customary in the United States with chapters in twenty or forty minutes, in this case, more than an hour last ten. How do they manage to sync them all?
Bill: The special feature is that while we record on the second floor of Globomedia, producers are in the room through closed circuit television have the facilities, they can watch what we recorded and make corrections as they deem necessary.
BUREAU: It is a delicate note behind.
Bill: It is that, once the shooting, the director began to make the first version of the chapter led to a lower quality than that recorded (offline). From there he made a first pre-assembly, which is viewed with producers, making corrections. Once that chapter is adopted is exported to a cut list (EDL) with which it conducts a top quality mount (HDV). Then you go to the post-production sound and composed music to accompany the chapter. Finally, talonaje we make (it is a color correction) in the Da Vinci platform.
BUREAU: Despite not being part of the team from scratch, you must know how he did the project. Bill: They told me. The creators are fans of "Lost" and when you see "The Internship", you realize that you always try-and fail-to maintain the mystery of several story lines simultaneously.
BUREAU: Laguna Negra seems too far from everything. Where are the locations?
Bill: The house is just one that is close to Madrid, which has never been filmed inside. The magic of cinema, they say. The sets are in Globomedia, and the forest park is Nebrija University. The stone wall surrounding the boarding school was built by the script demands. And reading what you wrote some time on the blog, I can tell you are right. There are an inspiration in contemporary English cinema as well, the stone arch at the entrance, the team called "Pan's Labyrinth."
BUREAU: In recent seasons has been a bus for ten minutes about the characters before the episode. We can think of some reasons for its usefulness. Can you explain yourself?
Bill: I get a shirt of eleven staff, but in the end, I confess I do not need as much as the initial racconto each episode, revivís where recent conflicts of the characters that have a greater role in it. But the producers see it as merchandising. Ten minutes before beginning "The Mysteries of internment." Is, start "something" of "The Internship" that fans will not want to miss although I know, just in case. Something like a puzzle, or a journalist. That earns ten minutes of screen where you can continue billing the second ad, even before starting.
BUREAU: We see that it is the only way to check it, in addition to traditional commercial breaks.
Bill: If you refer to the NTP, admittedly a little abuse. It is the mark of a good milk from time to time, but mail is too often for my taste. I do not know if I explain.
BUREAU: The crews of this type of product tend to be crowded, but the technicians leave their quarrels outside. With stakeholders is another thing. How are they? Are the egocentric? Bill: For anything. The kids are exceptional. Respond to each of the script and direction indications. You always have to do retakes, of course. Luis Merlo But remember, the actor who plays Hector de la Vega, is the success of "There is no one alive," a television format that Argentina bought less fortunate. There, his character was gay, was completely incorporated into the English imaginary, producers wondered how would the public that face the new face of Hector. You have seen it. He is a man of great experience shooting gallery. Natalia Millan, the interpreter of Elsa, by contrast, is less relaxed. Excellent choice of casting. It almost plays itself. Is very strict. You need to have everything planned. Sometimes it repairs or corrections of things that do not like. But it is part of the thing. In short, short, not subtraction.
The meeting with Guillermo bounded leaves us little flavor. His return to Argentina is short. He has work to do in "The Internship". And this requires their presence for several days before starting shooting. Years ago he went to Spain in search of better opportunities. We hope that his country will recognize her talent and allows the future to develop their own projects, sure, are many. A hug to William, from the Bureau.
PHOTO 1: Left to right: Manuel Morini, Guillermo "Goyo" Vecchio, Adolfo "Fito" Martinez Mendoza and Nicolas "Nico" Alessandro
PHOTO 2: Guillermo Vecchio
PHOTO 3: Guillermo and Manuel
PHOTO 4 From left to right: Christian Busquets, Guillermo, Nico and Fito.
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